Once upon a dream – Troy Daily News

MIAMI COUNTY — When most parents engage in fun activities with their kids, writing and publishing a children’s book usually isn’t what springs to mind, but that’s exactly what 7-year-old Troy resident Emma Rose Fisher-Rowe did with her mother.

Their new children’s book, “Oscar Goes to School,” was released on May 11 through Miami County’s own Gypsy Publications as a collaborative effort, which spawned from a vivid dream that Emma Rose had about her beloved feline.

“I had this dream about my cat, Oscar,” Emma Rose said. “I dreamed that my cat hopped into my bookbag, and then I picked it up and ran to the bus in a hurry. My teacher asked, ‘What’s in your bag?’ and I said, ‘Oh no!’ Then, Oscar followed me through school the rest of the day.”

Emma Rose’s mother, Meaghan Fisher, who has published 14 children’s books through Gypsy Publications, encouraged Emma Rose to see the project through.

“She kept telling me about the dream one day,” Fisher said. “I told her, ‘Emma Rose, why don’t you just write it down?’ I wanted to teach her how to write something from start to finish. We went through different books and I explained to her, ‘This is how the book begins. This is the middle. This is the end.’ I think teaching kids about the structure of writing is really important. Storytelling has a rhythm, and becoming familiar with those rhythms help them to learn.”

As Emma Rose wrote the story, Fisher illustrated each page before handing over them over to husband Tim Rowe, who works as an illustrator, for coloring.

Fisher and Emma Rose held their first book signing last month in Columbus, selling over 100 copies of “Oscar Goes to School.”

Of the event, Emma Rose exclaimed, “I wrote my name on each book, and my mom did, too!”

Fisher hopes that Emma Rose’s work on “Oscar Goes to School” can inspire other children to become engaged in their own creations.

“People should know that it’s never too early for kids to write their own book,” Fisher said. “It’s been fun teaching Emma Rose how to do it, just so she learns the structure and the value of writing. No matter what age, you can publish a book.”

Emma Rose is currently working on her second book, tentatively titled, “Oscar Goes to the Park.”

“Oscar Goes to School” is now available on Amazon, Barnes and Noble, and Books-A-Million. For more information on Meaghan Fisher, visit www.gypsypublications.com.

Cody Willoughby | Troy Daily News Emma Rose Fisher-Rowe reads an excerpt from “Oscar Goes to School,” a new book co-written with her mother, Meaghan Fisher, at Troy-Hayner Cultural Center.

Mother and daughter co-author children’s book

Review | HEART LAND: Wit, charm and heart fill new book

By Stacie Gorkow, correspondent



Returning home to Iowa is not exactly what Grace Kleran had in mind in Kimberly Stuart’s new novel, “Heart Land.” She never looked back after high school, only looking forward as she studied and realized her dream of living in New York City.



The fashion industry is all Grace has ever wanted to be a part of and after six years of sweat and hard work, she has finally gotten her opportunity to be the lead designer. Her presentation was perfectly executed and her designs were some of her best. But, instead of getting the top job, she is fired. With no money in her account and bills piling up fast, she is forced to return home to small-town Iowa.



Returning home forces Grace to confront her past, including the memories of her parents’ accident and her years growing up with her grandma. Then all kinds of emotions are stirred up when her high school sweetheart, Tucker, appears to still be available. She has some apologizing to do and some friendships to mend. But she also needs to find a way to make some money. She has no intention of staying in Iowa and is looking for the fastest way back to New York City. On a whim, she designs a dress to sell on Etsy. It sells so fast she may have found a way back to her dream sooner than she thought.



What I love about Stuart’s books is that you can see yourself in many of her characters. Stuart takes great care to show readers that real life can be messy and unpredictable, but with family, faith, friends, and determination, we can get past the struggles and hardships. Grace has a talent that may be too big for small-town Iowa, but taking the girl out of Iowa is easier than taking Iowa out of the girl. Grace grapples with being true to herself and her designs while taking risks to make it big. Sometimes the mistakes show us what is important.



The various characters, New Yorkers and Iowans, are easily imagined right down to their clothing choices, like the seersucker pants on Grace’s New York co-worker or Tucker’s jeans and work gloves. The fashion, including Grace’s designs and what specific characters are wearing, are part of the details of the story.



Stuart takes care in creating characters who are likable and easy to root for. The romance between Tucker and Grace is realistic and builds slowly in the background while Grace tries to fit her way back into the lifestyle of her small town. The hardworking values of Iowans helping neighbors and friends appear in the scenes.



The book is full of heart, whether it’s in the designs Grace creates, the relationship with her grandma, her love for Tucker, or the feelings of home.



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Stuart’s wit and humor fill the pages along with her desire to share her love of family, faith and small-town values. The novel feels like a warm hug and while there is sadness and anger around us, escaping in a book can remind us there still is goodness in others.

A field guide for birding travel or armchair dreams

“Birds of Europe, North Africa, and the Middle East, a Photographic Guide,” Frederic Jiguet and Aurelien Audevard, Princeton University Press, soft cover, 442 pages, 2,200 photographs, translated from French by Tony Williams, $29.95, released 2017.

 

Paging through a North American field guide to the birds you get no idea of how many of those birds we share with the countries covered in this beautifully done guide. 

 

It would be fun to use this book to create your armchair list of European, North African, and the Middle Eastern birds seen in North America, then vicariously on its pages. Most active North American birders would have a long list. Even birds from those parts of the world that you have seen in Minnesota would make a longish list.

 

This would be the book to buy if you were traveling in the countries covered, or, if you were going to Attu, the island at the far end of Alaska’s Aleutian chain. Attu is where the endless wind blows stray Asian bird species into view. 

 

Attu, a storied birding location, remains available to birders, but at a higher cost than the two-week tour run years ago. Then, you flew to Anchorage, continuing to Attu on a chartered plane, all for a measly $5,000 (plus airfare to Anchorage).

 

Today, you fly to Adak, another Aleutian island, then board an Attu-bound chartered boat that anchors offshore, taking you to the island daily on inflatable skiffs. You spend two spring weeks in the single North American location where the European and Asian birds you might pray to see actually can be seen. Price: $9,300. (The book is a much better deal!)

 

Pricey trip, yes, but it offers luxury that Attu birders of yesteryear dared not dream of. I mean, this trip has real toilets and real beds.

 

To finish that story, I once spent 48 hours on Attu, paying for a week but thwarted by lousy Alaskan weather and a worn airplane. I saw two life birds on a $2,000 trip. (The next year I saw both species here, in the U.S., for a helluva lot less. So birding goes.)

 

This guide would have informed and entertained me during the days two friends and I spent in Anchorage, waiting for better weather and airplane repairs.

 

The book is well designed, typography clean and distinct, two or three birds pictured and described on each page,. If plumages vary by season or sex, they are here. I have my often-expressed problem with the maps (tiny!), but the large number of birds covered — 860 — demands compromise. 

 

All of the usual parts and explanations that come with well-done guides are here. The  photos are particularly fine, excellent, bright, sharp images.

 

If you have no travel plans, consider this a book to browse and fuel your birding dreams. For me it’s 400+ pages of adventures past and possible.

 

Just for the fun of it, here is the building in which Attu birders of the past lived during their visit. The U.S. Coast Guard once had an Attu station. It built new quarters, abandoning this one. The Attu tour got permission to use it. It was as bad inside as it appears outside. Bicycles were a travel option when birders went on the hunt. Boots were the other choice. The island is covered mostly with rocks, snow, and mud. Find Attu via Google. The island has a history well beyond birds. WWII battles were fought here.

 

 

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Wildlife of the Arctic — take the trip and this book

Rollinmud publishes My Life’s Work

BOW VALLEY – Dreams have shaped the man, and the artist, Roland Rollinmud.

It was in a dream that the renowned Indigenous artist and Elder saw his latest piece, which is now crafted into a newly published picture book titled My Life’s Work – 2018, showcasing some of his greatest artwork over an illustrious four-decade long career.

“The book just naturally happened,” Rollinmud said, as a smile sprouts across his face under a signature black brimmed hat. “Today with that book, I can’t believe I’m holding, is a part of what I was planning for my future and is now a reality – it’s amazing.”

Dreams, and dreaming, have always been integral to sparking Rollinmud’s creativity.

It was 50 years ago when Rollinmud first dreamt about becoming an artist.

From the Stoney Nakoda reserve, where he attended residential school in Morley, Rollinmud used art and doodling as an outlet.

“We could only go home two days a month (from residential school) and in that time I didn’t have nothing else to occupy myself,” Rollinmud said. “That’s why I discovered art. Art was a part of the school.”

He would bring home doodles and scribbles, but left the art alone once with family. His brother and sister – artistic in their own right – encouraged Rollinmud to continue with his art at home, as well.

“I was inspired by that,” he said.

Once a little older, Rollinmud first worked as an artist for the Stoney Nakoda Cultural Education Program in 1971.

He then studied art at Calgary’s Southern Alberta Institute of Technology and graduated from Banff School of Fine Arts in 1985.

His dreams to become an artist became actions he took into his own hands.

“As time goes, whatever I think of comes to reality,” he said. “I wanted to be an artist, I wanted to be the best in Canada, and whatever you want to do in life it’s up to do you do it.”

Now one more prophesied dream has come to fruition through hard work and determination in My Life’s Work – 2018, Rollinmud’s book debut of original artwork in pen and ink, and oil on canvas in a 24-page hard cover that’s been in the works for a few years.

Its coloured pages are filled with striking wildlife art such as bison, wolves, and eagles, and Indigenous peoples and cultural practices.

“I want to give motivation to anybody on how beautiful Mother Nature is,” Rollinmud said. “Art is something that you have to pause to create and some take longer, and some are done quickly.”

In My Life’s Work – 2018, Rollinmud is also pictured working alongside youth at Morley Community School, creating a colourful mural for the institute.

“Life is so hard on the reserve for the young generation, it’s a stand still,” Rollinmud said. “My goal is to inspire the youth that yes, you can be anything you put your mind into and develop from you, and don’t be afraid to ask questions, the elders have all the questions…part of education you have to have is the elders there to include the school, and teach the students to be proud of who they are and represent it.

“Here I am as an artist, not realizing what I have accomplished as I go; I’m proud.”

Rollinmud added that his book of artwork is for everybody to enjoy.

“The book itself, I like to share what I have accomplished to anybody,” he said. “The book was a dream that was a part of me when I started to become an artist.”

Rollinmud’s My Life’s Work -2018 is $64 (hard copy), and is exclusively at Canmore’s Lifeways art gallery, which is dedicated to giving Stoney Nakoda artists a greater platform to display artwork.

This fall, Rollinmud is planning an art show at Lifeways in conjunction with his book release.

For more information, visit the Facebook page Lifeways Canmore.

Dream Book | How to achieve your goals By Sandeep Maheshwari | Sandeep Maheshwari videos



This video is about how to achieve your dream and also How to achieve your goals By Sandeep Maheshwari and what is dream book and ow to design dream book for achieve our dream

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Keepsake Ornament Club and Dream Book – Home & Family



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Why I Quit My Dream Job After 17 Years

My book had been out for a few months, and it was doing really well. But most importantly, the reader reviews were everything that I dreamed they would be. The advice was actually helping people all around the world! I’m not sure what kind of change I expected upon launching Leave Your Mark, but I can tell you that going back to the same desk every day after a multi-week press blitz felt very anticlimactic. It was the same old DKNY, except that I wasn’t the same old Aliza.

Why Netflix isn’t the key to Apple’s streaming dream

Like a lion stalking a herd of gazelles, Apple has been circling the TV business for years. Rumors of an Apple-branded television gave way to the Apple TV set-top box in 2007, which the company described for years as a “hobby,” but which CEO Tim Cook dubbed a “foundation that we can do something bigger off of” in a 2016 earnings call.

No doubt related to the fact that the latest versions of the device have significantly expanded the storage capacity and processing prowess. And that co-founder Steve Jobs, according to the 2011 biography published just three months after his death, said he had essentially “cracked” the code for building a TV and was reportedly interested in focusing his efforts there in the final weeks of his life.

Apple’s efforts in television have been confounded by on-again, off-again negotiations with content creators that have balked at the company’s terms. With M&A activity in the space white-hot now, with integrations in the air as cord-cutting quickens, those negotiations are only set to become more difficult. No surprise then that Apple has penned deals with Steven Spielberg and Oprah Winfrey, for example, to create exclusive programming.

But what about taking it a step further? What about buying Netflix, with its stable of programming (both exclusive and licensed from others) to secure a dominant position from which to survey this rapidly expanding space? (Netflix, as we explored in a previous post, faces stiffening competitive pressures and rising cash demands.)

The streaming titan is profitable and growing fast, with earnings of $290 million last quarter on $3.7 billion in revenue, which was up more than 40% from the year prior. Right now, Netflix is singlehandedly responsible for nearly a third of all internet traffic in North America.

Sure, it’d be expensive: Netflix is carrying a market cap of nearly $180 billion. But Apple has cash to spare, sitting on nearly $270 billion as of 2Q 2018. And “Stranger Things” have happened before.

Apple has pivoted to focus on services as a revenue growth area—with a goal of growing this space to $50 billion in sales by 2020—and found success. Revenues are up 31% YoY, picking up pace from the already impressive 18% YoY growth registered through 2017. Leading the way: The strength of iCloud storage and Apple Music, driven by Apple’s staggering 1.3 billion active devices.

As of April, Apple Music had 40 million paying subscribers worldwide, up 84% since the music streaming service was first introduced at Apple’s WWDC 2015. Late last year, Apple moved on Shazam to bolster both Siri and Apple Music, and earlier this year it also purchased Texture, a digital magazine subscription service, for bettering the News app for iOS.

To date, Apple has been content-agnostic, with Netflix integration into Siri and Apple TV devices already on point. The integration of a post-acquisition Netflix would likely become even tighter, with the platform becoming the default streaming video app preinstalled on every device Apple ships and potentially acting as a platform for other content providers. Such as sportscasts, for instance. With monthly subscription revenue flowing in.

Apple would also get an instant foothold in the living room, an area it has struggled to gain traction in, with possible synergies between Apple’s native apps and the Netflix app built into many smart TVs and set-top boxes. Imagine talking to Siri through your iPhone and seeing the results displayed on your television. Or showing off your latest Photo Stream on the big screen.

All of that would serve the interest of bolstering the Apple ecosystem by making the viewing experience more streamlined, on one hand, while raising the cost to users for switching to competing platforms on the other. Thus, helping sell more iPhones.

But are the benefits enough to justify the price of admission?

UBS analysts are bulled up on streaming in general, forecasting streamers to capture 25% of the pay-TV market in the next five years. That works out to 25 million streaming subscribers, up from the 9.2 million forecasted through the end of 2018. So a deal is certainly tempting.

But Morningstar director of TMT research Brian Colello believes a “Build It” rather than a “Buy It” content strategy makes more sense for Apple here given Netflix’s huge price tag. While Netflix has a commanding lead in terms of subscribers and binge-worthy programming, it’s worth noting that much of its programming has been developed with media partners, such as Disney for “Daredevil” and other Marvel-related series. Apple could replicate that. Or partner with creatives directly, as it’s doing now.

For Colello, there are no obvious benefits to be gained from platform exclusivity since it would alienate hardware buyers if Apple blocked competing streaming and video-on-demand apps from its hardware devices. Want to watch Fox Sports on your phone? Better buy an Android.

And besides, when someone signs up for Netflix via the App Store or the Netflix iOS app, Apple gets a cut anyway. So, it’s already getting a piece of the streaming revenue pie without really lifting a finger. Or spending a dime.

In an interview with PitchBook, Colello also deftly pointed out possible culture clashes and brand incompatibilities. Does Apple really want to be associated with shows like Netflix’s “Marco Polo,” a Weinstein Company-produced historical drama filled with nudity and violence that was canceled after two years for a loss of $200 million?

Instead, he posited that Netflix, not Apple, is the one that should be on the acquisition trail as competitors lock up content vertically, tying creators together with telecoms and likely leaving the company out in the cold. Especially with Disney’s streaming service expected to launch in 2019, potentially including the assets of 21st Century Fox, should its $71.3 billion bid be accepted by shareholders later this month.

Apple, Colello warned, would do best to steer clear of what he believes would be a “disastrous deal” for Apple amid an intensifying cash burn and an eye-watering valuation. Given Apple’s hesitance to engage in splashy deals—its $3 billion purchase of Beats is its largest acquisition to date—and the sheer cost involved, the sentiment is well-founded.

And thus, Apple’s hunt for TV glory continues. 
 

Watch for a follow-up post, the third in a three-part series, exploring possible acquisition targets for Netflix as it battles growing competitive pressures and industry consolidation. Read the first post here: Can Netflix fend off big name challengers?

PitchBook is a Morningstar company.

 

May’s New Brexit Dream Amounts to ‘Turkey Plus’

The full U.K. government white paper on its proposed future relationship with Europe is due to be published this week. But the framework document that came out of the Cabinet meeting at Chequers, the prime minister’s country residence, is an unsatisfactory answer on several levels to the EU’s repeated demands for specific proposals. 

In effect, Prime Minister Theresa May suggests cloning key EU institutions specifically for the U.K.’s sake. She wants a “common rule book for all goods including agri-food” which can only remain harmonized if some common U.K.-EU structure works constantly on keeping the two countries’ standards and trade rules from diverging — but she doesn’t want the European Commission to do it, as it has done for decades. She wants a “joint committee” to resolve disputes about the application of the “common rule book” — but she doesn’t want the European Court of Justice to play that role. 

Reproducing the EU’s internal practices for an outside trade partner only makes limited sense. The EU’s customs union with Turkey is overseen by an Association Council formed by the parties, the kind of joint body that the Chequers document appears to envision. But under this union’s rules, Turkish goods (and just the non-agricultural ones at that) only circulate freely in the EU if they comply with EU standards, and it’s the EU that sets tariffs and other trade barriers. Turkey doesn’t aspire to draft the standards jointly with the EU; all it can get is a transition period for EU rules it cannot immediately introduce into its legal framework. Turkey also recognizes the ECJ’s jurisdiction in interpreting the customs union’s rules, if not in enforcing them.

In a normal situation, negotiations could lead to U.K. acceptance of the Turkish arrangement with some small modifications. But the situation isn’t normal. Opportunities for a compromise in line with previous EU practice are severely limited on the U.K. side. The idea of the U.K. as a rule-taker is anathema to Brexiters, not least because it would reduce scope for trade deals with countries outside the EU — at least the ones that already have deals with the EU.

If, however, the U.K. isn’t a rule taker, the EU will need to accept outside participation in the drafting of its internal rules — something it doesn’t do for any trade partner.

May appears to believe this basic contradiction can be resolved for goods coming from outside the U.K.-EU customs union if the U.K. promises to apply its own tariffs and standards to imports meant for its domestic consumption and EU tariffs and standards to imports targeting the EU. Within a customs union, however, such an arrangement is extremely difficult to enforce, as Russia found out when Belarus, its customs union partner, began “exporting” European food banned under Russia’s sanctions policy. Four years after Russia banned the imports of a long list of agricultural products from the EU, the practice continues, and Russian and Belorussian officials keep squabbling about it.

Unless the U.K. specifically agrees to follow EU standards and set the same tariffs as the EU for external trade, the way Turkey does, its proposal is likely to be met with skepticism from the EU. May and her negotiators have been told again and again that the new customs plan has to be workable. They have also been told that the U.K. can’t “cherry pick” elements of the single market. The government hasn’t taken much heed of either red line. On Saturday, May called on the EU to “get serious” and discuss the deal she’s offering, as if it’s the EU that has wasted all this time before coming up with a rudimentary proposal. That’s not going to endear her to anyone in Brussels, Berlin or Paris.